tag:blogger.com,1999:blog-7451049595110557512012-02-08T03:28:43.853-08:00Projects and (Organizational) Culture - Voices on Project Managementenhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comBlogger491100tag:blogger.com,1999:blog-745104959511055751.post-26119014538999587602012-01-03T18:24:00.000-08:002012-02-08T03:18:08.322-08:00

Transmedia designer Simon Staffans created an ebook entitled "One Year in Transmedia," a collection of his own and others' posts, and interviews with transmedia specialists, to present a comprehensive industry snapshot in 2011 and beyond. Simon asked me to give an interview on what I believe is the future of transmedia, and its applications to social change and social innovation. I was honored to

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-64616337631771341982011-12-20T10:30:00.000-08:002012-02-08T03:18:08.322-08:00

Where Is Your Line? is a fantastic campaign from Nancy Schwartzman, empowering youth leaders to end sexual violence.  The campaign's blog runs a cheeky and informative section called "Badass Activist Friday."  I'm proud to be included in the Badass club.After reading this post, read about the campaign's latest success, the "Circle of 6" app. Here's a repost of my interview with the campaign:

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-65768773276087078102011-11-18T06:00:00.000-08:002012-02-08T03:18:08.322-08:00

I recently have had the privilege to work with the new organization Storycode to create a panel series called Transmedia in Emerging Markets, to catalyze discussions around the potential role of transmedia storytelling to build vibrant cultural sectors and leverage local voice in developing economies, as well as current trends in investments, business, civil society programs and media production

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-56163181893611172362011-10-31T14:41:00.000-07:002012-02-08T03:18:08.322-08:00

Tuesday, November 15, 2011, 7:00 PM Film Society Lincoln Center 144 West 65th Street, New York, NY (map) Join us for an exciting *first ever* discussion of Transmedia in Emerging

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-17270746576263930642011-10-18T09:38:00.000-07:002012-02-08T03:18:08.322-08:00

Video from my TEDxTransmedia talk at the MAXXI Foundation in Rome, 30 September 2011.

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-52603098577942203852011-10-05T10:10:00.000-07:002012-02-08T03:18:08.323-08:00

Design for Social Innovation at the School of Visual Arts is the first MFA program for designers and graduates in other disciplines who want to harness the power of design to create positive change and impact.An inaugural cohort of 25 diverse, extraordinary students will become leaders in solving real world challenges, beginning in the fall of 2012. Happy to be on faculty next year.  See http://

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-27858321035408225882011-06-28T14:31:00.000-07:002012-02-08T03:18:08.323-08:00

Transmedia Activism_SilverDocs presentation View more presentations from lksriv

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-24302766128148939842011-04-22T09:04:00.000-07:002012-02-08T03:18:08.323-08:00

This Manifesto is a fluid document, which we have begun to draft and will continue to refine throughout this project, with the participation of many. It is an organic process: all are invited to participate.______________________________________________“Never Again.”These two words have become the most uttered and the least meaningful in a world that still witnesses genocide, crimes against

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-3822930503619857852011-04-14T07:00:00.000-07:002012-02-08T03:18:08.323-08:00

Since the Holocaust and the United Nations Universal Declaration of Human Rights in 1948, civil society has promised "never again" -- and still genocide and appalling atrocities have continued into the 21st century. We don't have a collective vision for how to build a world free from atrocity. And if we don't have a vision of a better future can we really create one? We need one. The End of

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-60101906760280629172011-04-05T22:30:00.000-07:002012-02-08T03:18:08.323-08:00

IFP and the United Nation’s Department of Public Information have for the past three years partnered to present ENVISION: Addressing Global Issues through Documentaries. This year's conference focuses on the eradication of extreme poverty and hunger, and all the screenings and panels -- featuring speakers ranging from UNICEF Goodwill Ambassador Harry Belafonte to City Harvest's Jill Stevens--

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-4601451824333753172011-02-24T15:57:00.000-08:002012-02-08T03:18:08.324-08:00

Tribeca Film Institute recently launched the New Media Fund, to support innovative cross-platform projects-- an exciting and necessary development. I was invited to speak to them about Transmedia Activism and the role of cross-platform content in creating communities of change and practice. With thanks to them, you can read more here.

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-67787121346623656242011-01-31T22:45:00.000-08:002012-02-08T03:18:08.324-08:00

"I felt if the Cairo museum is robbed, Egypt will never be able to get up again." -- Zahi Hawass.Egypt is in the midst of an uprising against 30 years of repressive rule and a flawed, corrupt governmental system, blocked avenues for political participation, and low employment and wages. This uprising closely follows the Tunisian revolution and is potentially one in a series of revolts and

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-66097540316140024702010-12-31T12:56:00.000-08:002012-02-08T03:18:08.324-08:00

Looking ahead to 2011, I've been thinking about the people, projects, organizations and companies I've worked or connected with this past year. There is amazing work going on around the world that is effective, game-changing and necessary, and I'm feeling privileged and grateful to be a part of at least some of it. There are a number interesting projects in various sectors that I will be

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-49169920394505957432010-11-09T06:30:00.000-08:002012-02-08T03:18:08.324-08:00

Marc Silver and Gael Garcia Bernal have partnered with Amnesty International to make four compelling short films that highlight the journey tens of thousands of people take every year from Central and South America, through Mexico, and onward north in the hopes of reaching the United States. People who are driven by poverty and a dearth of economic opportunity and social support in their own

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-28080100238269431432010-09-27T16:53:00.000-07:002012-02-08T03:18:08.324-08:00

Malcolm Gladwell's article "Small Change: Why the revolution will not be tweeted," revisits an argument it seems like we in the activism community have been having for quite a while. While it can only be good to open the debate up to the masses who read the New Yorker, Gladwell misses the target. In the debate on digital activism, Gladwell and most commentators on `social media for social action

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-74684228382831757402010-09-08T10:16:00.000-07:002012-02-08T03:18:08.324-08:00

Social Media Won't Save the World... But It Might Make the Job EasierView more presentations from lksriv.

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-40125226729997999312010-07-22T12:52:00.000-07:002012-02-08T03:18:08.325-08:00

Having first written about Transmedia Activism two years ago and, after spending much of last year working alone or with partners and clients to build out the framework (more to come on that later this year), I am gratified to see the concept take off in a number of realms. One of my favorite moments came at Lance Weiler's DIYDays in April of this year when a participant told me my work sounds

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-51782568419618479542010-07-15T07:52:00.000-07:002012-02-08T03:18:08.325-08:00

An article about social mission film and Transmedia Activism from the beautiful Spanish design magazine Yorokobu. (Click on the image to enlarge.)

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-3095490446937167212010-05-04T07:26:00.000-07:002012-02-08T03:18:08.325-08:00

WeThink - Access for All - Final

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-80524312252947140622010-04-28T15:42:00.000-07:002012-02-08T03:18:08.325-08:00

There was a little tremor felt through the networks that use Twitter and Facebook for organizing toward "good," due to two rapidly conceived movements that aimed to clothe people or disrobe them, depending on the fight. On Monday, "Boobquake" faced off against Iranian cleric Hojatoleslam Kazem Sedighi, who had the previous week declared, "Many women who do not dress modestly...lead young men

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-2863476308452960082010-02-20T12:47:00.000-08:002012-02-08T03:18:08.326-08:00

I did an interview about design strategies toward social change in India for the new vlog Designwala, a platform to raise awareness of design methods in the emerging world, and to highlight design ideas to rethink public services that will lead to more sustainable and efficient models. In this excerpt, we talked about opportunities for Indian designers in the fields of service design, information

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-55705327257224807412010-01-29T13:34:00.000-08:002012-02-08T03:18:08.326-08:00

In response to a Twitter exchange among Digital Democracy, Emily Jacobi, Sam Gregory, Audacia Ray and myself, Brian Conley posted on his site a further discussion on using the word "voiceless" to describe populations in disadvantaged communities. I've always disliked the phrase "giving voice to the voiceless." The term "voiceless" in the context of social change is pejorative, and the phrase

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-7433046538444625182010-01-14T22:29:00.000-08:002012-02-08T03:18:08.326-08:00

In response to the earthquake in Haiti on January 12, 2010, Ushahidi quickly built an online information resource platform for Haiti, which lets people on the ground pinpoint on a map specific places where help is immediately needed and to provide updates and stories via text, email, tweeting and an online form. The site also provides photos, videos and news about shortages, response and threats.

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-58531082552859933372009-12-31T16:35:00.000-08:002012-02-08T03:18:08.326-08:00

As 2009 comes to a close, we celebrate our collaboration on the Transmedia Activism site and the launch of our new transmedia design consultancy that is thriving as we turn to 2010. To mark a good year for us, we give props to some great, innovative initiatives by others working at the intersection of media, arts, culture and social change. Each of these projects immerses us in a new world

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-71036104870442091242009-12-01T06:00:00.000-08:002012-02-08T03:18:08.327-08:00

One of the pivotal points of my career was serving as the acting Executive Director of Kids with Cameras from 2004-2005. I started working with Ross Kauffman, Zana Briski and Geralyn Dreyfous in the organization's start-up phase, and while they were in the throes of the wildly successful film festival run of Born into Brothels. The documentary, which would eventually win the Academy Award, was

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-54830797192602190092009-11-21T16:37:00.000-08:002012-02-08T03:18:08.327-08:00

It was exciting to see a discussion of the application of transmedia storytelling to activism and social change at MIT's Futures of Entertainment conference. My own work exploring and writing about this topic a year and a half ago was inspired by Henry Jenkins' work in transmedia and I'm very happy to see that the topic is starting to be discussed on a larger scale. In the time since I

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-44113291200680726372009-07-30T09:53:00.000-07:002012-02-08T03:18:08.327-08:00

The discussions on issue fatigue at both on my site and ArtTribes Network, and later at SocialEdge, prompted me to start looking at the flip side of fatigue, which in the case of social issues is engagement, participation and commitment. This is also a thread I've been examining in the engagement frameworks I've been co-creating, for Transmedia Activism, which looks at how one uses

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-50175396935577131912009-06-22T17:54:00.000-07:002012-02-08T03:18:08.327-08:00

Transmedia ActivismView more OpenOffice presentations from lksriv.

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-40588425024607899282009-06-15T12:48:00.000-07:002012-02-08T03:18:08.327-08:00

The website for transmedia activism is now launched and open-sources the basic framework to be strategic and proactive in the use of media to create social impact. The framework encourages addressing social change first when using actionable content (essentially flipping the model of media first, outreach second), for collaboration on issue identification and storytelling between activists and

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-76569412196987001482009-06-10T17:14:00.000-07:002012-02-08T03:18:08.328-08:00

Two years ago, Eve Ensler, Founder of V-Day and author of the Vagina Monologues, addressed a United Nations panel on sexual violence in conflict zones, asking “What is it about rape that isn’t grabbing people’s imagination, isn’t seizing people’s conscience or isn’t getting people to stand up?” As a result of that meeting and subsequent advocacy work by a number of UN-related agencies and

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-69230144149383581622009-05-28T08:45:00.000-07:002012-02-08T03:18:08.328-08:00

The Open Video Conference, in New York City on June 19-20, 2009, will bring together artists, activists, academics, technologists and entrepreneurs to explore issues of transparency, collaboration and decentralization in online video. On Day 2 of the conference, Vicki Callahan (Founder of the Conceptual Studies program at Universty of Wisconsin at Milwaukee), Lotje Sodderland (creator of Planet

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-2332954594596436902009-04-16T05:15:00.000-07:002012-02-08T03:18:08.328-08:00

Beth Kanter has written a very interesting blog post taking my article on transmedia activism one step further, looking at business planning and networks. Three very interesting points have arisen from her post so far: First, Beth poses a question about business planning to build and facilitate co-creation networks, which, as I commented on her site, drives home the point that for organizations

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-5701544613262415202009-04-14T10:17:00.000-07:002012-02-08T03:18:08.328-08:00

Three Generations helps survivors of genocide and crimes against humanity tell their stories, and provides an avenue for the world to hear them. The organization is built on the principle that storytelling transforms lives. As Jane Wells, the organization's Founder, says in a blog post for The Hub on WITNESS, "[s]tories remain with us long after conflicts and wars have ended, not just as

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-58870059384801247842009-03-19T08:09:00.000-07:002012-02-08T03:18:08.328-08:00

The SXSW Interactive and Film festivals in Austin, Texas, were a whirlwind of ideas and activity, and the small but significant segments devoted to nonprofit and social innovation issues presented food for thought. While most of what I saw left me generally hopeful (perhaps because I didn't hear much about our current economic or funding crises), many of the panels made me think we still have

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-39014841256058153002009-02-27T05:22:00.000-08:002012-02-08T03:18:08.328-08:00

Maybe, maybe not. At the very least, in this climate of limited resources and jittery giving, traditional fundraising techniques are not serving well. We in the social issue community are rethinking how we ask, how we give and how we generate both funds and impact. The exercise of reevaluation is revolutionizing the field-- and traditional fundraising techniques are starting to look

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-19940748807918071562009-02-13T05:15:00.000-08:002012-02-08T03:18:08.329-08:00

Sean Howard made me aware of an innovative storytelling tool geared toward change/needs assessments, called the Most Significant Change (MSC). This technique is a form of participatory monitoring and evaluation that can be applied across a number of social issues. The process--invented by Rick Davies nearly 14 years ago to meet challenges associated with monitoring and evaluating a complex

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-1615734318892657582009-01-29T14:36:00.000-08:002012-02-08T03:18:08.329-08:00

I moderated an online discussion on ArtTribesNetwork, on engaging your audience to combat issue fatigue. The discussion participants were from The Fledgling Fund, Cinereach, the Center for Social Media at American University, The Skoll Foundation, Global Grassroots, The Tiziano Project, the NYC Leadership Academy and the Miami International Film Festival, as well as two independent filmmakers (

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-91660193330557467642009-01-20T15:28:00.000-08:002012-02-08T03:18:08.329-08:00

MediaRights, a project of ArtsEngine, Inc., maximizes the the impact of social-issue documentaries and shorts within its community by helping filmmakers reach audiences, educators and librarians bring films into their classroom, and nonprofits and activists integrate media into their campaigns. They recently published my article on transmedia activism at their site. Thanks to Kasmore Rhedick,

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-6012487156750163572009-01-15T10:36:00.000-08:002012-02-08T03:18:08.329-08:00

ZDNet published a piece today about copyright law and the need to adapt IP laws to the Internet-driven cultural shift towards user-generated related content and participation. Brad Lichtenstein (friend, colleague, filmmaker, and the original inspiration for my work on transmedia activism), who is active in thinking and writing about the commons, posted a comment on his site about participation

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-70770393870585137582009-01-12T07:50:00.000-08:002012-02-08T03:18:08.330-08:00

Riptide Communications provides press, public relations, and strategic communications services to groups and individuals committed to progressive social change, designing and executing effective media campaigns that play a pivotal role in promoting international human rights, peace and social justice, worker and immigrant rights, and environmental justice and public health causes. I am pleased

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-59885884066634443752008-11-25T15:59:00.000-08:002012-02-08T03:18:08.330-08:00

ResistNetwork has a page seeking ideas for social change, to collect and spread information about websites, online resources, articles or tools. I am part of the team that is curating the page-- the other team members are Jess Tyrrell at Germination, Wai Mun Yoon and Marc Silver. Take a look and send in a message to socialchange@resistnetwork.com.

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-87155806923136917782008-11-02T18:49:00.000-08:002012-02-08T03:18:08.330-08:00

Paul Hawken's book about the "movement of movements" of activism to create change, Blessed Unrest, has been influential in the field of social justice-- and in my thinking on systemic change and local solutions-building; networks and linkages; and emergent vs. direct strategies.Now Hawken is spearheading a film about the individuals involved in the movements described in the book. This is

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-9810901654648748292008-10-22T09:04:00.000-07:002012-02-08T03:18:08.330-08:00

My colleague, Juan Carlos Zaldivar (creator of Art Tribes Network) sent me the link to Breathing Earth, a website mapping real-time simulated CO2 emissions, birth and death rates and population by country. It's a brilliant website on its own and could be a great inspiration for use by third sector organizations to map a number of social change issues, including income inequality, mass atrocities

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-40364239444923462772008-10-10T14:32:00.000-07:002012-02-08T03:18:08.331-08:00

In thinking about storytelling and content creation to promote social change initiatives, I revisited an article published late last year by The McKinsey Quarterly called "Eight business technology trends to watch." The article details emerging trends in the use of technology—particularly internet-based and related tools—that will continue to transform markets and business in the for-profit

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-42215548890468963232008-08-04T20:52:00.000-07:002012-02-08T03:18:08.331-08:00

One of the members of The Art of Social Change, Brad Lichtenstein, wrote last month at www.onthecommons.org about his newest documentary project, What We Got: DJ Spooky's Quest for the Commons, for which the film's creators are using a transmedia storytelling process to craft the film and its outreach strategy. Transmedia storytelling is a concept first described by Henry Jenkins. In his blog

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-26856806147186607842008-07-14T21:31:00.000-07:002012-02-08T03:18:08.331-08:00

http://www.socialedge.org/discussions/marketing-communication/stories-of-changeI participated in a thorough and valuable discussion-- Stories of Social Change-- at the Skoll Foundation's discussion platform, about the intersection between social entrepreneurship, systemic change and filmmaking.Quoting a post on web platforms for documentary distribution/marketing, "from the perspective of a

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-36123729852802886632008-07-07T17:32:00.000-07:002012-02-08T03:18:08.331-08:00

http://www.entrepreneur.com/worklife/successstories/article195142.htmlI wish the authors had spoken a bit more about investor returns and effective business models (particularly given the publication) beyond the need to limit budgets and conserve resources. But there are still kernels of wisdom here-- particularly for non-filmmakers who are not used to film budgets. Film financing is often a

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-66185689959134749202006-08-01T12:47:00.000-07:002012-02-08T03:18:08.331-08:00

From http://www.independent-magazine.org/ Getting Perspective: AIVF interim executive director's view from the insideWhen I came to work with AIVF in February, I don’t believe the Board or staff could have predicted that AIVF’s situation would spark a debate about the possible meltdown of an entire industry. AIVF’s Board retained me through a referral from the Support Center for Nonprofit

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.comtag:blogger.com,1999:blog-745104959511055751.post-84127114470962954412004-11-21T21:00:00.000-08:002012-02-08T03:18:08.332-08:00

Originally published at MediaRights.orgThe theatrical release of the film Born into Brothels (ThinkFilm) on December 8, 2004, presents Kids with Cameras with an opportunity for outreach and exposure most young nonprofit organizations may never enjoy. The organization, dedicated to the empowerment of children through the art of photography, fulfills its mission through a model that was initiated

enhttp://www.blogger.com/profile/00565588943538357675noreply@blogger.com